Contax Medium Format Digital Camera . The standard prism finder gives a big bright image with the nice fast zeiss glass that predominates the system. The contax 645 is excellent.
CONTAX 645 medium format film camera kit 4 Zeiss lenses meter flash from cameratique.com
Almost no sign of use! This caused the subsequent collapse of the entire kodak 35mm camera division. The camera functions and operates like nearly every other 645 film system in existence with a few small exceptions that i will address below.
CONTAX 645 medium format film camera kit 4 Zeiss lenses meter flash
The beauty of a medium format camera like the contax 645 is that it is completely modular. The contax 645, a robust system familiar with many for its unique look, beautiful lenses and it’s mechanical reliability. With a phase one digital back, expand your flexibility. If you need a quick refresher, the contax 645 is a 6×4.5cm medium format, autofocus film camera introduced by kyocera under the contax brand on february 20th, 1999 in japan.
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5 point wide array diagonal auto focus The contax 645 is a medium format film camera with interchangeable backs, lenses, screens and prism finders. Bronica has disappeared from the scene due to inability to adapt fast enough to digital reality in the realm of medium format cameras. For this reason, the medium format digital solution is a. It was an.
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Btw, there is one more uncommon (but interesting) option for using your lovely contax 645 lenses digitally. Film negative and was introduced in japan in february 1999. One professional whose work i very much admire has made excellent use of his contax 645 lenses on a medium format leica s2 digital body. So that leaves leaf and phase. The beauty.
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The contax 645 af is a relatively small and lightweight medium format film camera dating from the late 1990s. The n digital shares all basic functions of the contax n1. It was an ambitious foray in the professional portrait and wedding world where medium format was king (at the time) and competed against the likes of the pentax 645n and.
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Imacon digital backs are now allied with hasselblad cameras. It was an ambitious foray in the professional portrait and wedding world where medium format was king (at the time) and competed against the likes of the pentax 645n and mamiya. The early cameras were among the finest in the world, typically featuring high quality zeiss interchangeable lenses.the final products under.
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This caused the subsequent collapse of the entire kodak 35mm camera division. It’s a great feature and allows the tactile control i was after in a point and shoot film camera. The pentax 645nii is a handy camera, but sometimes its 6×4.5cm images don’t seem to have quite as much ‘medium format magic’ as larger negatives such as 6×6 and.
Source: cameratique.com
This essentially makes the tvs an aperture priority camera, but it does also have a fully automatic mode. So that leaves leaf and phase. The early cameras were among the finest in the world, typically featuring high quality zeiss interchangeable lenses.the final products under the contax name were a line of 35 mm, medium format, and digital cameras engineered and..
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Which had previously been used in the jenoptik eyelike medium format digital back. Primed for digital, the contax 645 is the perfect hybrid solution for photographers shooting 120 film but needing the flexibility of digital to help expand what they offer. Highly regarded as one of the best medium format cameras available on the market, the contax 645 is an.
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It’s a camera that will largely appeal to. With a phase one digital back, expand your flexibility. This essentially makes the tvs an aperture priority camera, but it does also have a fully automatic mode. So that leaves leaf and phase. Almost no sign of use!
Source: cameratique.com
Film negative and was introduced in japan in february 1999. Highly regarded as one of the best medium format cameras available on the market, the contax 645 is an absolutely incredible piece of equipment. The photographer can concentrate on shooting because the n digital can be handled in the same manner as a traditional 35mm slr. The pentax 645nii is.
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Imacon digital backs are now allied with hasselblad cameras. Nicholas hellmuth’s medium format digital camera initiative. This caused the subsequent collapse of the entire kodak 35mm camera division. Contax (stylised as contax in the kyocera era) began as a camera model in the zeiss ikon line in 1932, and later became a brand name. The contax 645, a robust system.
Source: briandsmithphotography.com
It was an ambitious foray in the professional portrait and wedding world where medium format was king (at the time) and competed against the likes of the pentax 645n and mamiya. The n digital shares all basic functions of the contax n1. The contax 645 af is a relatively small and lightweight medium format film camera dating from the late.
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Leica offers a mount adapter that permits full electronic communication and af with contax zeiss lenses! Basic functions shared between the contax n digital and the n1 include: 4.5 out of 5 stars. Which had previously been used in the jenoptik eyelike medium format digital back. The contax 645 is a medium format film camera with interchangeable backs, lenses, screens.
Source: cameratique.com
The pentax 645nii is a handy camera, but sometimes its 6×4.5cm images don’t seem to have quite as much ‘medium format magic’ as larger negatives such as 6×6 and 6×7 do. Btw, there is one more uncommon (but interesting) option for using your lovely contax 645 lenses digitally. The contax 645 is excellent. The contax 645, a robust system familiar.
Source: cameratique.com
Primed for digital, the contax 645 is the perfect hybrid solution for photographers shooting 120 film but needing the flexibility of digital to help expand what they offer. One professional whose work i very much admire has made excellent use of his contax 645 lenses on a medium format leica s2 digital body. Please don't miss this opportunity absolutely!! Leica.
Source: cameratique.com
The photographer can concentrate on shooting because the n digital can be handled in the same manner as a traditional 35mm slr. For this reason, the medium format digital solution is a. Please don't miss this opportunity absolutely!! With the 80mm f/2 mounted, the view is exceptional. It’s a camera that will largely appeal to.
Source: cameratique.com
With a phase one digital back, expand your flexibility. During one of the 2020 covid lockdowns, i decided to pit the pentax 645nii against its rather more glamorous: Film negative and was introduced in japan in february 1999. Primed for digital, the contax 645 is the perfect hybrid solution for photographers shooting 120 film but needing the flexibility of digital.
Source: cameratique.com
During one of the 2020 covid lockdowns, i decided to pit the pentax 645nii against its rather more glamorous: Almost no sign of use! This essentially makes the tvs an aperture priority camera, but it does also have a fully automatic mode. If you need a quick refresher, the contax 645 is a 6×4.5cm medium format, autofocus film camera introduced.
Source: www.ebay.com
Primed for digital, the contax 645 is the perfect hybrid solution for photographers shooting 120 film but needing the flexibility of digital to help expand what they offer. With the 80mm f/2 mounted, the view is exceptional. The contax 645 slr offers true ttl performance and flexibility ; It’s a great feature and allows the tactile control i was after.
Source: cameratique.com
With a phase one digital back, expand your flexibility. The contax 645 af is a relatively small and lightweight medium format film camera dating from the late 1990s. The contax 645 offers a 6 cm. Almost no sign of use! So that leaves leaf and phase.
Source: cameratique.com
The contax 645, a robust system familiar with many for its unique look, beautiful lenses and it’s mechanical reliability. Nicholas hellmuth’s medium format digital camera initiative. Jenoptik digital backs have allied with sinar cameras to hold the backs. With a phase one digital back, expand your flexibility. Bronica has disappeared from the scene due to inability to adapt fast enough.